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A white-knuckle
thriller with a wide range of terror and a narrowed setting,
Vacancy plays out with a stark level of realism for its hopefully
farfetched plot, but feels cornered by Hollywood’s demand
for a clichéd conclusion. With solid performances,
a catchy horror score, and an inventively macabre premise,
Vacancy still manages to be a lot of fun packed into a minimal
amount of time.
Unhappy couple
David (Luke Wilson) and Amy Fox (Kate Beckinsale) are returning
home from a trying endeavor involving their failing marriage
and take a shortcut off the highway to save time. An unexpected
turn of events finds their car out of commission and the weary
travelers are forced to stay at a seedy motel whose visitors
meet a ghastly fate for entertainment, and do anything but
smile for the camera. In order to escape, David and Amy must
rely on each other (as well as a few blunders on behalf of
the murderers) in a desperate fight for survival.
Both relative newcomers
to the horror film genre, Luke Wilson and Kate Beckinsale
add a charmingly realistic appeal to their characters as a
troubled couple on the verge of separation, possibly due to
the death of their son. Their early incessant bickering and
apparent exhaustion of each other's presence on the tiresome
drive home puts an interesting spin on the typical horror
movie victims. Because there are only two main protagonists,
all character development is more intensely focused and the
audience is treated to a richer introduction to their lives,
resulting in added appreciation and sympathy for their dire
situation.
Without "stupid"
villains, most horror films would last only ten minutes with
all protagonists dead and disposed of in half that amount
of time. For the sake of suspense and feature-length thrillers,
the entities of evil involved usually make a mistake somewhere
along the line, allowing the forces of good to prevail, if
only for a little while. The antagonists in Vacancy aren't
spared from this trait and while they are certainly menacing,
they are equally dimwitted, unambitious, and unimaginative
when it comes to the dastardly deeds set forth for them to
commit. On top of this they are also inexplicably absent while
their prey is attempting to escape. We forgive them though,
because without their ineptitude there would be no harrowing
close calls or shocking near-misses.
While the trailer
gives away more plot twists than I probably will, those afraid
of spoilers may want to skip this paragraph. Hollywood seems
to have an infatuation with happy endings in horror films,
or the overly cliché twist ending where the bad guy
isn't really dead or the creature mutated, transformed, or
otherwise escaped in part or in whole from whatever intricate
and seemingly inescapable plan was devised to destroy it.
Vacancy contains no such alien life forms, but it does offer
a rather unexpected (and unfortunately unwanted) twist in
its conclusion. Perhaps the studios believe that the majority
of audiences wouldn't enjoy a more tragic ending, or were
test audiences not pleased by a more realistic encounter with
vicious thugs? I suppose a plot involving only two main protagonists
might create too strong an emotional bond between the characters
and the viewer to see such a grievous fate befall them. But
then again, it's a horror film. Isn't violent death a prerequisite?
Shouldn't one expect dark tragedy to afflict its characters?
Director Nimrod Antal has created a believably realistic scenario
with a likeable couple placed in a chilling plight, but ultimately
betrays his audience with an unrealistic twist - though the
decision may not have been entirely his.
Regardless of any
intentional or forced changes in its denouement, Vacancy manages
to entertain for the extent of its relatively brief running
time and Luke Wilson and Kate Beckinsale make compelling victims.
A twisted story infused with an intense struggle for survival
and a subtle yet searing commentary on voyeuristic violence
as entertainment creates a thriller definitely worth seeing
- but possibly on DVD.
- Joel Massie
Read the MoviePulse Exclusive Interview with Luke Wilson
HERE.
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