| At least Batman
Forever used the same theme music. Everything that Tim
Burton established with the first two Batman films has
been tossed out the window to make room for colorful
neon lights and grossly comical characters. If it wasn’t
already hard enough to get in the mindset of believing
in a masked avenger, Batman Forever makes it impossible.
Harvey “Two-Face” Dent (Tommy Lee Jones)
blames Batman (Val Kilmer) for an accident that left
him horribly disfigured – and suffering from schizophrenia
and psychosis. In his grand scheme to destroy Batman,
Two-Face robs banks and creates catastrophe for Gotham
City, which is helpless without the Dark Knight. Adding
to Batman’s troubles is Edward Nygma (Jim Carrey),
an obsessed man who idolizes the rich and powerful Bruce
Wayne. Having created a device that can extract the
knowledge out of people’s minds, Nygma dons the
disguise of The Riddler, a maniac who delights in unremitting
puzzles and mayhem. He eventually joins Two-Face to
bring down Batman once and for all.
Meanwhile, Bruce Wayne must deal with Dick Grayson
(Chris O’Donnell), a young circus performer who
loses his parents during an ordeal with the demented
Dent. Grayson accidentally learns of Wayne’s big
secret and begs to become his partner. As Wayne tries
to dissuade Dick from following his own path of vengeance,
he also woos the beautiful doctor Chase Meridian (Nicole
Kidman) who becomes infatuated with the mysterious Batman.
Gotham City has become more glaringly colorful, with
fluorescent lights and bright neon signs on every corner.
Despite the ominous smoke and murky, glistening streets,
the sets appear comical – not comic-book-like
– in their design. The once scarily grandiose
streets of Gotham have been sacrificed for colorful
goofiness and gangs of glow-rod toting ruffians. The
buildings and sets are still enormous and unique, but
the seriousness of Batman fighting amongst the rainbow-colored
monstrosities is constantly laughable.
Instantly cheesy dialogue doesn’t help recreate
the dark style and tone Tim Burton established with
the original two films. While some criticized his disturbingly
morbid visions of the characters, at least their designs
attempted to be serious. With the introduction of Two-Face,
who interestingly appears with little more than a TV
clip backstory, the plot turns quickly nonsensical.
Jim Carrey’s Riddler is not so much a villain
as he is Jim Carrey – whose extreme over-the-top
acting is enough of a predicament for the caped crusader.
The antagonists are great maniacs – unfortunately
they’re horribly insincere villains. If that weren’t
bad enough, Batman himself conveniently has some cool
new gadget that allows him to get out of every harrowing
situation – which means he can rely on being foolishly
daring and impulsively suicidal.
Schumacher’s Batman is flashier, more colorful
and much less fun. The weapons, vehicles, action scenes,
deathtraps, bat-nipples, Robin’s earring, stunts
and riddles are all of the most deplorable nature, and
the plot itself is anything but genuine. This isn’t
Batman anymore – it’s a live-action cartoon.
Gravitating to the Adam West serials that made the awe-inspiring
image of Batman a laughingstock in the first place,
Batman Forever does little more than increase the opportunity
for merchandising. Batman may be forever, but this movie’s
ending couldn’t come soon enough.
- Mike Massie
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Jim Carrey was the best thing about this Batman. I think he did pull of a great performance and got really deep into the character more than anyone noticed at first. Tommy Lee Jones, however, was a huge dissapointment as Two Face.